Fluxus in our time

index.jpg fluxusThere was, and is, a distinction between ego-attached “look-at-me” hijinks and the performance, or placement, or identification of art. Art for no sake other than its own. Ephemeral. Left to experience. Left to memory. Gone.

We remember Fluxus, a precursor to the fountain of conceptual art, and “happenings” to follow. Yoko Ono, Nam June Paik, LaMonte Young, Joseph Beuys, Dick Higgins…musicians, painters, sculptors, writers…following the lead of George Maciunas’ 1963 manifesto. Different from but influenced by Marcel Duchamp & John Cage and elements of Black Mountain College relocating to New York & San Francisco.
Consider Larry Marotta’s contribution- God, Lipgloss and Meat.

So, what, where, and when Fluxus now?

Indeed.

Whatever event inspires, whenever, from the banal to leap through a wall of consciousness and softly whisper…

LOOK!

About orangeacorn

We are, I believe, and everything is, in perpetual unfolding/enfolding/evolving. There are other worlds with us, there's more than appears. I'm a Columbus, Ohio husband, father, grandfather and friend. I find comfort in the One-ness. I rearrange letters/syllables/words to create art for the attention economy, now yours, as guided by string band rhythms from the ridges of Pocahontas County, West Virginia, the vortex of the ancient drone.
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2 Responses to Fluxus in our time

  1. Vince says:

    I’m trying to locate a Jim Coe that I went to school with and lived in Lexington Ky in the mid 70s.

    Like

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